Monthly Archives: May 2018

Eleven Verses on the Value of Snakes

by Elsa Johnson

Each year   her shed skin                   draped the rafters   of the barn
tissue of small scales        over-lapping         fragile              strange
in the hands                                        mottled discard of milk snake

 

In my dream          they came from the northwest            diagonally
past the corner of the house   :   solid fabric of snake                  red
and black            striped             side by side                    undulating
packed tight                        roiling                             around my feet

Photo by Heather Risher

Horses grazed at pasture         In the cropped grass          blue black
racer                slimness          slipping by           We  —  bare legged
clutch of summer   —    whooping !    keeping-up        down the hill
down to the swamp where        anticlimactically             he was lost

 

Coiled         lying by the track to the backfields                 crops left
woods right        —        black snake                           thick as a girl’s
arm          as imagination         long               I jumped  each time he
broke for the woods               across the track                      the thrill
undiminished                  when I startled him              he startled me

Photo by Annika Peloski

Raspberry canes     growing high    twined    among the branches of
the small tree    fruit above eye level              me     reaching for red
jewel of sweetness       grasping        instead      small head of snake
eyes open wide       mouth to the berry           not expecting    hands
when I startled it           it startled me                  no one ate the fruit

 

The trapped water    seeped from the quarry walls         along edges
lay           water snakes            somnolent seeming                 hidden
but       ready to slide water-ward        or bite                edgy reptiles
thick as a girl’s arm                          silent     as mental       ululation

 

Hoop snakes were real    the old timer said    in her youth   she saw
them     down    in the fields   by the swamp     where    if they were
startled      they put their tails     in their  mouths     and rolled away

 

That summer    when I was fourteen         I went to a camp    where
one child       not me     sat on a rattlesnake                                   he
startled it                                                                                    It bit

Photo by Gretchen Henninger

In the deep woods   one fall              my adult life   falling about me
like leaves       like the thick leaves underfoot                 stepping on
what’s that !                  …..she    slow from the cold     the torpor of
cold    dark    mottled leaves                a bit small   dark perhaps for
copperhead      thick      not slim like racer           not like milksnake
Too cold to bite          to slow to startle     —     (much)     —     adieu

 

I live in the city now   I do not see snakes       except    occasionally
a dead one     lying flat      drying        on hot asphalt       in the park
squashed by a bike tire       by someone        too slow to swerve   or
perhaps not seeing    value    in snakes      perhaps enjoying       that

 

This summer        working out in the country         that isn’t country
that is      lawns        mower hungry         circling             big houses
I     at peace     planting       focused on flowers               stepped on
something writhing     round under foot               It is she  — ancient
Goddess of Startle     blooming      her sleek skin bright       not like
I saw it              left              discard            draped           in the barn

Photo by Heather Risher

Consider the Food Web

by Heather Risher

Doug Tallamy recently spoke as part of the Conservancy for the Cuyahoga Valley National Park’s Lyceum series. His talk was titled, “Restoring Nature’s Relationships at Home,” but really he focused on the food web, particularly the importance of insects.

Photo by Tom Gibson

Gardenopolis readers know the importance of planting native species, but Dr. Tallamy focused on a large and diverse group of animals we rarely consider: insects. We talk about planting native species to provide food and habitat for birds, but we don’t necessarily think about what birds eat other than fruit and seeds.

While birds appreciate the seeds, suet, fruit, and sugar water we provide, much of their diet consists of insects, particularly caterpillars that feed their young. According to Tallamy, 96% of terrestrial birds depend on insects. Mammals, reptiles, amphibians, and other invertebrates eat insects, too. We landscape for birds when we should be landscaping for insects.

Photo by Tom Gibson

Insects are fundamental to animal life. Everyone depends on insects, from other invertebrates up through humans. Yet the abundance of invertebrates has declined 45% globally since 1971. A large part of the problem is the preponderance of non-native species in our gardens and public spaces. Insects have had millenia to adapt to (specialize on) native species, yet merely a few hundred years to adapt to species introduced to the area. Non-native species don’t support many insects: novel ecosystems don’t have evolutionary history.

Photo by Tom Gibson

Dr. Tallamy and his students studied insect diversity on native species vs non-natives, and the results were alarming given birds’ reliance on caterpillars. An oak tree might host 400-500 species of caterpillars. An ash tree can host nearly 100 different ash specialists. A Bradford pear provides a home to only a few individuals. Take a look around your home, and it’s likely that you can see at least one Bradford pear. They’re everywhere!

A recent visit to the Cleveland Botanical Garden supported his claim: I saw very few insects throughout much of the garden. The Virginia Bluebells? Covered in bees! I witnessed a bumblebee mating flight near one patch.

Many people panic when they see caterpillars on their trees and shrubs. Dr. Tallamy suggested a 10-step program: Take 10 steps backwards and your “bug problem” will disappear. He reminded the audience that leaves should have some holes, otherwise the plant isn’t supplying energy to the ecosystem.

I strongly encourage readers to peruse Dr. Tallamy’s site, or perhaps this interview. He reminds us of the importance of contributing to our local ecosystem rather than harming it.

Photo by Tom Gibson

Think of your property, your little piece of the world, as being part of your local ecosystem. The way you landscape your property — the plant choices you make and the amount of lawn you maintain — will determine whether your property is enhancing your local ecosystem or destroying it. As Roy Dennis says, “Land ownership is more than a privilege, it’s a responsibility.”

The Audubon Society and the National Wildlife Federation both have search engines to help people find plants native to their area. Landscape for insects as well as birds!

What might you not know about butterflies?

by Elsa Johnson

How about that the majority of butterflies found in Ohio hibernate here – and you can help them (and other insects).

How? By building a butterfly log cabin (I know, I know – it sounds like a special syrup to put on pancakes, but it’s not). By doing so you provide a place for non-migrating butterflies to hibernate, either as chrysalis, as an adult butterfly, or as caterpillars.

Here’s how (directions taken from www.backyardhabitat.info – for more detail visit this site):

You will need logs. About 2 feet in length; anchoring wood posts for the sides – and some way to drive them into the ground; and some sort of waterproof covering or tarp, one for the bottom and one for the top.  

  • Choose a sheltered location – on the southeast side of an evergreen, for example. Almost every yard has some sort of out-of-the-way spot where this could be done.
  • Start by placing one piece of tarp on the ground. Then place 2 long 4 foot logs sections in one direction on top of the tarp – these 2 logs sections will keep the rest of the structure off the ground and insure air circulation
  • Next, place a layer of logs going in the opposite direction. Then add third layer of logs going in the opposite direction to the second layer. After driving your supporting side stakes into the ground, continues building layers in opposite directions until you have a ‘log cabin’ about 3 feet high.
  • Place a tarp on top and anchor it down with a few more logs. The tarp keeps the crevices dry.

Here are some of the butterflies that overwinter as chrysalises: Tiger swallowtail, Eastern black swallowtail, Spring azure, Pipevine swallowtail, Spicebush swallowtail, Zebra swallowtail, Silver spotted skipper, and Giant Swallowtail.

As adult butterflies: Mourning cloak, American painted lady, Tortoise shell, Eastern comma, and Question mark butterfly.

And, as caterpillars: Giant spangled fritillary, Wood nymph, Easter tailed blue, Pearl crescent, Viceroy. Silver checkerspot, Red spotted purple, American copper, and Orange sulphur.

Longue Vue in New Orleans

by Lois Rose

Visiting my hometown New Orleans in March, I was impressed with the height of the Mississippi River at full tilt, and by a wonderful garden called Longue Vue.

Longue Vue Gardens, New Orleans

The house and gardens were the property of local philanthropists, Edith Rosenwald Stern and Edgar Bloom Stern. William and Geoffrey Platt were the architects working with Ellen Biddle Shipman creating the last Country Place Era estate built in America.

Longue Vue operates as an historic house museum and garden open to the public year round. It describes its mission, inspired by “our humanitarian and artistic legacy”, to be a leader in advancing innovative thought, creative expression and life-long learning.

When we arrived there was a serious Easter egg hunt on the grounds.

Sixteen garden “spaces” lie around the lovely house and surrounding eight acres off a short street and a pine drive (1942) next to one of the canals that flooded during Hurricane Katrina in 2005. When the garden was heavily damaged by the contaminated flood waters that remained for weeks, gardeners from around the world flocked to the site over the next years and helped to rebuild the garden and restore it to its former glory.

I saw Longue Vue soon after Katrina and twice since then.

I am including some photos from my previous trips for perspective on its evolution.

Large mature live oak trees flank the main path leading to the forecourt and the house from the parking area.

Moving to the left of the house from the ticket area you pass through an azalea walk, mostly gone by on this trip.

Next is the small pan garden with a sculpture and a fountain and seating area up against the house.

As you move around this side of the house you can see over a small lawn to the New Orleans Country Club golf course with huge oak trees, sand traps and of course golfers.

The main framework of the garden extends from the imposing double outdoor staircase on the right side of the house.

A charming yellow garden can be found off of the portico terrace in front of the staircase.

The large lawn defines the Spanish court and is flanked by decorative brick walls with insets of fountains and plantings in borders and containers.

Looking through openings in the brick wall you again become aware of the golf course, but it is cleverly obscured.

At the farthest end of the lawn from the house one of five structures in the garden blocks the view of a long sunken water rill at the center of the canal garden with a fountain.

A total of twenty four fountains and ponds appear as you walk around the grounds. A pair of ducks seemed at home in a secluded small “goldfish” pond to the left.

Going through an opening to the right reveals a walled garden room with a variety of iris at the center sunken several levels below the outer path.

Interesting fruit trees and flowering shrubs are featured throughout. Moving out from the walled room an iris walk leads to a wild garden and eventually to another water feature and a pigeonnier.

A children’s discovery garden has some unusual and innovative features including a bamboo tunneled entrance.  Sweet olive, a very fragrant shrub which was in full bloom provided a wonderful curtain of perfume as we sat under its branches.

The 22,000 square foot house contains decorative arts from the 17th-20th centuries, English and American furniture, ceramics and mid-twentieth century op and kinetic art.

The garden alone though is worth a visit.