All posts by Elsa Johnson

Small Poems

by Elsa Johnson

Haiku

New sun — who dares shine
back   ?   red breast blazing  :  you there —
cardinal   —   sun thief!

Hari Krishnan [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)]

Hyacinth

Blossom    /     parted
into curls         like shaved wood
or   upright octopus  /  arms     turned up    all
tips     /      A tower’s      bell         split into shards
A fragrance      pungent      /     death
heavy      /      Oh sweet
purple painted
light

The wub [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)]

(Moral) Vacuum

It bites
When the snow
crunches like this
breathing sucks air in deep
to a space smaller
then the head
of a sin

Jason Hollinger [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)]

Ring

Ring –
bells of my words
Meet in mid air
Bruise there and batter
Mix there and marry
Tarnish and
tarry

LEAP!

by Elsa Johnson

These days everybody’s gotta have an acronym –  something catchy to remember you by. Well LEAP is catchy. But LEAP where?  What do the letters represent? The short version: Lake Erie Allegheny Partnership. The long version includes two more words whose initials don’t make it into the acronym: for Biodiversity. But there are two more P’s that play a part in this alliterative game I’m playing – Plain, and Plateau.

photo by Laura Dempsey

As in the Lake Erie Lake Plain, and the Glaciated Allegheny Plateau (that area that, thousands of years ago, was covered by glaciers). These are ecoregions lying along the southern shore of Lake Erie, covering an area that stretches from just east of Sandusky to Buffalo, New York. On the western end it dips down in a narrow extension toward Mansfield and Columbus, then back up again before it swoops down at its widest to include Youngstown, before narrowing increasingly and tightening as it pushes up against the Allegheny Mountains in Pennsylvania and New York. It’s an area where northern boreal biome remnants rub up against mixed eastern hardwood remnants, which rub up against more southerly Appalachian forest remnants. Because of all this biological jostling, it is a rich place of diverse and unique habitats and ecosystems, examples of which are to be found within a network of public and private lands throughout the glaciated region of northeastern Ohio, northwestern Pennsylvania, and western New York. The LEAP publication, A Legacy of Living Places, presents an overview of those habitats and where to find them.

A partnership is, of course, a group of people or organizations that come together around a cause or issue. Founded in 2004 and housed within the Cleveland Museum of Natural History, as of January 2018, the LEAP partnership now includes 56 members. Counted among them are cities, park districts, museums, universities, research labs, conservancies and land trusts, watershed districts, nature centers, arboretums, native plant societies, local businesses, and more. Your community or organization could belong, too. What brings all these diverse organizations and entities together, and in sustained communication, is the shared mission of protecting and supporting the LEAP region’s natural biological diversity. There are not a lot of partnerships like it.

photo by Laura Dempsey

Such a broad membership helps dedicated conservation professionals and educators, and enthusiastic conservation nonprofessionals and volunteers, to document and to disseminate information.  LEAP does everything from sponsoring invasive garlic mustard pulls in the springtime, conducting counts of West Virginia White Butterflies at the same time (the butterfly unwittingly lays its eggs on garlic mustard, to their detriment), to tracking the spread of beech leaf disease, or the Hemlock Woolly Adelgid in the region’s forests. There is a Conservation fund that attracts and distributes funds for conservation and protection projects. In conjunction with and through its partners, LEAP offers workshops, events, and public programs that encourage environmental awareness.

photo by Laura Dempsey

LEAP meets every two months at a different location each meeting. Each meeting is centered on a topic speaker. The next meeting will take place on Wednesday, March 20 at 10 am, at the Nature Center at Shaker Lakes; the topic will be the proposed removal of the dam blocking the Cuyahoga River in Cuyahoga Falls, where the river begins its turn to head north.

Grand River; photo by Laura Dempsey

The yearly publication of the 3 native plants of the year postcards is an example of a LEAP initiative. This card is produced with the intention that it will encourage the use of native plants by landscape designers and property owners, while simultaneously partnering with the nursery industry to create an adequate supply of these plants.

Recent work: Over the past year the LEAP Regional Biodiversity Plan Committee has been working to create a vision document to help guide regional conservation-related activities ranging from land acquisition and conservation easements to policy-making, restoration, and mitigation. It will identify core habitats and supporting landscapes. Gardenopolis Cleveland will write more about this soon.

photo by Laura Dempsey

There are 14 ecoregions recognized in the LEAP area. You can find all these communities listed and described in A Legacy of Living Places. Many example of each are listed, many of which are to be found in area parks and are thus freely open to the public. Others are part of the Cleveland Museum of Natural History’s collection of protected properties, with restricted access only through the museum. Trips are offered throughout the year. Become a member of the museum, if you have not already done so. Check museum scheduled offerings.

photo by Laura Dempsey
photo by Laura Dempsey

Revisiting Rockman, and Other Exhibits Concerning Art and Nature

by Elsa Johnson

Community

Recently several of Gardenopolis’ editors traveled to the Toledo Museum of Art to see the installation by Rebecca Louise Law.  Composed of a vast multitude of infinitesimally thin wires of natural and artificial materials hanging/descending from a two story ceiling, this was a magical experience, as the pictures show.  Originally installed when most of the materials were fresh, by the next to last week of its run, when we saw it, the flowers, seed heads, and leaves were desiccated, but still entirely recognizable, and often still quite colorful. It was quiet inside the hall in which they hung. If people talked to each other, it was quietly, as if it would be wrong somehow to impose on what was a kind of meditation. There were subtleties to be enjoyed, such as the muted mysterious shadows of the plant materials reflected on the walls by the muted lighting.

Re-visiting Rockman

About a month or so ago we ran an article on the Alexis Rockman art exhibit at MOCA Cleveland: The Great Lakes Cycle (also now closed). That article spurred a query from one reader about why fertilizer contamination is currently a problem in the agricultural lands of northwestern Ohio. To whit: “I thought there were regulations in place.”

Around the same time that I visited the Rockman show, I also attended a panel discussion held at the Cleveland Museum of Natural History on Lake Erie. Two of the participants in particular spoke to this issue, Dr. Laura Johnson, Director of the National Center for Water Quality Research, Heidelberg University, and Dr. Jeff Reutter, former director of Ohio Sea Grant and Stone Lab. They were two of four panelists. The following is my attempt to corral their part of a discussion — that necessarily jumped about a good bit — into a single organized presentation. Any errors are entirely my own.

What we know: Our lake is a finite resource. It is the 13th largest lake in the world. It is the shallowest of the Great Lakes, and because of that, it is the most productive as a fishery. But this shallowness also makes it extremely vulnerable. The lives of 3,500 species are tied to the health of the lake. Many are now endangered. What happened?

We know that the highly productive farmlands of northwestern Ohio are the result of draining what once was called the Great Black Swamp, a formidable wetland monster that was tamed for agriculture by a system of underground drainage that carries water off the land into ditches, and thence into the natural watershed (primarily the Maumee River). We know that modern farming involves fertilizers, both natural and chemical, being applied to the land at the start of the growing season. But fertilizer doesn’t stay put. Inevitably some of it gets into the watershed. In the late 1960’s people realized the shallowest part of Lake Erie, the Western Basin, was, as a result, becoming a giant cesspool. Regulation followed, and, for a time, it was better. Around the year 2000, however, the quality of the water again took a turn for the worse. Here are two of the panel members explaining this.

Dr. Jeff Reuter: Mid 1990 to the present has seen an increase in dissolved phosphorus entering the lake, which is a form that is very easy for the harmful algae to use. In 2008, 3,800 tons of phosphorus entered Lake Erie from the Maumee watershed, the largest of Lake Erie’s tributary watersheds.  To reduce phosphorus from agriculture entering Lake Erie, we are using a system of voluntary incentives and disincentives meaning that we are offering only carrots, not sticks. We are also seeing the impact of climate change, with more severe storms producing more run off. The system sets up a false dichotomy of farm economy against lake economy (that lake economy is valued at 14 billion dollars).  We want both.

Dr. Laura Johnson: It does not take a lot of phosphorus in the warm shallow waters of the western basin to cause a nuisance problem…. i.e., a lot of farms, leaking a little bit. Most farmers now apply at recommended rates and data suggests that application of phosphorus and removal via crops is largely in balance. The best reasoning for the losses is that phosphorus application on the soil surface associated with broadcasting in the fall combined with the massive system of subsurface tile drainage is allowing for excess dissolved phosphorus loss. Thus efforts should be focused on nutrient management- that is applying phosphorus at the right rate, time, and place.  For instance, some studies suggest inject phosphorus fertilizer deeper than 2 inches in the soil could reduce losses by 60%. However, there needs to be more incentives to provide the appropriate technology to farmers to increase the use of this practice. 

We’ve had some extremely large blooms since 2008, some of which were very toxic.  The toxin produced by these cyanobacteria, Microcystin, is more toxic than cyanide. Although these toxins are filtered out at the drinking water treatment facility, the costs have increased drastically and can be over $10,000 a day in Toledo during bad blooms years.  The high level of toxins entering this plants could get to a point where it overwhelms filtering capabilities.   At the present time the western basin is the most affected, but the blooms in the western basin move over to the central basin threatening water intakes there as well.  The central basin also has different blooms that prove challenging for the region.  Clevelanders will be relieved to know that, unlike Toledo, Cleveland has multiple water intakes, thus, Cleveland’s water supply is not as vulnerable.

An artist of our own

The artist Charles Burchfield was born in Ashtabula Harbor (I am taking this from explanatory material from the exhibit – and I don’t know about you, but upon reading this I found myself hoping he wasn’t literally born in Ashtabula Harbor), and studied at The Cleveland School of Art (now CIA). After WWI he returned to northeast Ohio. Burchfield, like Rockman, was a watercolorist, but to a very different purpose. Both are representational painters, but where Rockman uses his considerable skill to create hyper-realistic paintings that are muralistic, that tell a story of environmental purity and degradation over time, Burchfield used color and form in small paintings that express personal emotion and mood through landscape. For example, in the picture of the tree with the branches reaching up to a glowing sun, Burchfield suggests the divine influence he saw in nature.

In another painting, the accompanying sign explains, an orange stream divides an area of barren yellow from an area of lush green, suggesting the impact of mining – often abandoned after the resource had been depleted — on the eastern Ohio landscape.

Even Burchfield’s pencil drawing of a chestnut tree, while explicitly representational, seems deeply imbued with mood.

The Burchfield exhibit is current and can be found in the small gallery opposite the gift shop at the Cleveland Museum of Art. A reminder for seniors: if you are a member, parking is free on Tuesdays.

The Great Lakes Cycle

by Elsa Johnson

On Tuesday I spent an hour (not really enough time, but I had a meter running) at Cleveland’s Museum of Contemporary Art, free on election day (great idea there, MOCA). I wanted to see the current exhibit, The Great Lakes Cycle, by artist Alexis Rockman, who aligns environmental activism with art in a most satisfying way. The exhibit introduces itself through a collection of some of Rockman’s field ‘sketches’ – which are actually not sketches but black and white watercolor renderings with a delicious, ephemeral watery look –

Following that, in the first exhibit hall, is a collection of large scale equally watery, equally delicious watercolor paintings that allow one to appreciate Rockman’s loose yet explicitly detail-suggestive handling/execution of this challenging medium.

Leading to the largest room, in which hang the five great paintings for which the exhibit is named. These fill-the-wall scale paintings are visually rich, emotionally affecting, and intellectually exhilarating, educating, and depressing. Don’t let that last keep you away. This is a must see exhibit.

These five paintings are visual studies through a vast extended timeline of man’s interaction with and effect on the Great Lakes. One ‘reads’ the paintings from left to right, with the left side representing the original pristine natural environment.

 In all the pictures the left side is the oldest in the timeline, and the timeline changes progressively through time toward the right side, which is the historically most recent and most ecologically disturbed, abused, and debased. That juxtaposition on one canvas, of those effects of which we are not unaware but often not thoughtful about, brings the alteration profoundly home. It is a slice through time and physical reality that shows us, both above and below the water, the changes wrought as it enumerates the natural, the unnatural, and in one painting the imaginary, denizens of the lake and shore. The paintings are a little overwhelming and deserve more study than a ticking meter allows.  

A little Great Lakes history here, cribbed from an accompanying book of the same title (available in the gift store): The Great Lakes were carved by glaciers over vast millenia of geologic time, and were equally slowly revealed as the glaciers receded. Better described as inland seas, they reached their current form roughly 5,000 years ago. They carry 18 to 20% of the surface freshwater on the planet. If combined into one, that sea would span the combined landmass of Connecticut, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, and Vermont. The Great Lakes hold 6 quadrillion gallons of water – enough to cover the continental United States with a layer of water 10 feet deep. The northernmost lake, Superior, is the world’s largest lake by volume of water, while Lake Erie, our canary-in-the-mine lake (my description, not the book’s) is the southernmost and shallowest. Lake Erie has the most productive fishery, and is the most quickly flushed (my choice of words, not the book’s – and believe me, fast flushing is a good thing). Surrounding the Great Lakes is a rich diversity of ecosystems. 

There are 5 paintings. It is not really clear to me that each painting represents a specific lake. Rather, each painting addresses a common issue all the lakes have.  The painting titled Pioneers, focuses on aquatic life, and the in-migration of aquatic life since the end of the last ice age, from the sturgeon that fed the first Native Americans to today’s aquatic invaders, shown as a stream of small creatures ejected from an anchored ships ballast water.   

The painting titled Cascade is a study of man’s continuing impact on nature, a mix of human and natural history, from the elk swimming across the water on the left to the blighted industrial landscape pictured on the right, set off by buoys.

The painting titled Spheres of Influence explores how the interaction of the global ecosystem (weather, birds, insects, bats, and air-borne micro-contaminants) has shaped the current condition of the lakes

The painting Watershed illuminates the shift that happens as pristine streams and rivers are contaminated by modern agriculture and urban development. It’s pretty disturbing…

And finally, the picture Forces of Change illustrates these – both the past, and the potential future – complete with an imaginary e-coli kraken – if we continue on our current polluting ways.

A day following my trip to MOCA to see this exhibit I attended an evening panel symposium at the Cleveland Museum of Natural History, discussing the state of our lake. What good timing I thought! I  thought I could include a synopsis of that panel discussion here at the end of this article, but I have come to see that it is a separate article of its own. So I will end here with a synopsis of each lake’s problems as taken from the book:

Lake Superior is the fastest warming large lake on the planet. Warmer waters threaten this lake’s cold water fishery. Lakes Michigan and Huron are essentially one lake; they have been invaded by zebra mussels, which filter immense quantities of plankton through their bodies. This gives the water clarity, but that clarity is indication of meager fish. Lake Erie suffers from toxic algae blooms, which are likely to double as the climate changes. And Lake Ontario suffers from being used as a toxic dumping ground, which are now locked into the lake’s bottom sediments. What follows is a map from the book showing cumulative stresses on the lake. It does not differ significantly from one projected on the screen at the museum talk, so I include it here:

I hope you will go see this exhibit and spend some time with it. Take the kids.

Exploring the Paine Creek Parks

by Elsa Johnson

Parks play an important role in greening a metropolitan area—including the parks that are not actually within the city itself. Cleveland is lucky to have an especially rich park system close in.  But Cleveland area people often miss some cool parks that are a little further out —  close by but not real close by – and a bit harder to get to. From the eastside. It’s easy to get to Holden Arboretum; the Lake County parks that are close by Holden are hard to miss and draw a lot of visitors – like Penitentiary Glen. But way out on the farthest fringes of Lake County there are a collection of not so easy to find parks with some unique features. As a long-practicing landscape designer I have often gone to Klyn Nursery. It was easy to get to Klyn’s via Route 90 and Vrooman Road. When I would get to the bottom of the hill on Vrooman, before it passed over the bridge crossing the Grand River, I would notice a gravel and dirt road that turned right and wandered off ….somewhere.  The road less traveled.  It always intimidated me a little bit, looking  isolated and rough, as it did, and I was on my ‘getting plants’ mission anyway. So I’d pass it by. Then they (the ubiquitous ‘they’) closed the Vrooman Road bridge. So I found myself looking for other ways to get to Klyn’s, and began exploring the back roads, and In doing so I discovered a trio of interesting parks.

I’ve written before, I believe, about Indian Point Park, which is where you find yourself if you if you take that road less traveled. Paine Creek, a small tributary stream to the Grand River, enters that larger flow at Indian Point. Yes, there’s a real legitimate reason it is called Indian Point, and you can discover it via the Lake county Parks website. You can climb up to the top of the point for a view out over the Grand, an Ohio Wild and Scenic River. In the springtime the forest floor here is covered in Virginia bluebells; and in a few weeks there will be glorious fall color. Then, were you a duck you could swim or waddle up Paine Creek, pass under the I-90 freeway, and, not too much further on, arrive at Paine Falls Park. But if you are human, you will have to use your phone navigator or an old fashioned map and zig here and then zag there. The duck will arrive first.

From Paine Falls Park, if you are a duck, having flown to the top of the falls, you will continue up the Paine Creek stream and soon arrive at Hell Hollow Wilderness Area. But if you are human, you’ll get in your car and zig and zag again, and eventually, with luck, find yourself at the same place, but at the top rim of the hollow rather than down in the bottom with the duck.

The charm of the Paine Creek parks and the Hell Hollow Wilderness Area is not to be found in a long hike – there are no long trails – rather, the charm lies in the intimate exploration of Paine Creek (even though you’re not a duck, you get to play in the water). But at Hell Hollow, before you do that, you have to walk down two hundred and sixty three steps (remembering that what goes down must come back up again).

There are great views from the rim trail out over the hollow to the creek below.

The creek bed is shale, not mud, and on a warm summer or early fall day, with the water low, wearing water sneakers, we walked both along and in the water, feeling like explorers, noticing the creek side vegetation (knotweed even here!) and the tiny darters dashing from one sheltering stone to another. Nowhere was the water higher than my ankles.  A young naturalist we came across in the stream showed us a crayfish he held in his fingers, a sign of the unpolluted quality of the water.

I should note that in higher and colder water this watery exploration probably would not be a good or safe idea.

These three destinations put together would make a nice day trip for a city dweller, or someone looking for a little adventure, although I find myself wishing that somehow these three parks, so well connected by nature, were better connected by and for people, so that one could explore them as a continuous hike.

Perhaps someday.

Whether

by Elsa Johnson

A Simple Poem about Whether

How I love      a growling sky                                            after the grey

cloud dragons have slipped in                     stealthy                on their

thick     padded      feet     —      so many of them                  crowding

together                                They are alchemists                   conjuring

weather                           muttering guttural spells                   arguing                          

over whether                                             to send down sheets of rain

  /       walls of sleet        /                                      or merely a damping

dribble           Who should start the wind machine?                 Should

it stroke cheeks    /    or crack stone?                 caress trees    /     or

crush them?            harrow birds ?      oh yes !     —   and harry them             

How much     and where          —        all      the whethers of weather                                   

I love             the gravel                of their                    muffled ire      —                   

their mounded shapes                         But see    —    they can’t agree          

They’re              stealing away                                 down sky corridors         

CMNH Conservation Symposium report

by Elsa Johnson

One of the things I find interesting about the Natural History Museum’s annual late summer symposium is who goes to it. You expect naturalists, conservationists, ecologists – and also teachers, students, volunteers, and birders — but there are a large number of others who attend simply because they are interested in a diversity of nature related subjects. This on a work day…. In an auditorium known for hovering only a few degrees above arctic (Note: ALWAYS bring a hoodie).

This year’s symposium presented a pleasing breadth of topics, and most of them were rooted in Ohio — but not all. The morning keynote speaker, Jennifer Collins, who is Manager of Ocean Education at the Smithsonian National Museum of Natural History spoke on the educational uses of the biocube. A biocube is an open cube made of — its space defined by — peripheral tubes linked together to measure a cubic foot. Organisms can freely pass through the cube, which is then located on a chosen research site and intensely studied over the course of a day. Everything that passes through it, under it, over it, or past it, is examined and recorded before being released. They make up the cube’s biomass; generally, the more complex the environment being studied, the greater number and diversity of organisms that will be recovered. The tool used for identification is the app called: iNaturalist, available to anyone as a download. The model used is Q?rius, also available online, through the Smithsonian site…designed to “bring the museum’s collections, scientists, and research out from behind the scenes and within your reach. The biocube, and iNaturalist and Q?rius are great educational tools to engage students at every stage in the study of nature.

Another morning talk was called: The State of Dragons. Presented by Linda Gilbert and Jim Lemon, this was an update on dragonflies, of which, we were told, there are 170 (ish) species in Ohio.  Lest we think dragonflies too fragile looking and benign, we were reminded that these magical looking creatures of the gossamer wings are predators at every step, through every stage, of their transformative lives. We learned that it is the males that frequent water, while the females, which prefer to spend their adult lives farther afield, come to water lay their eggs. Kinda of like the girls of a Friday night visiting the neighborhood pub.  iNaturalist, again, can help with ID.

A more depressing morning session was plant health specialist David Lentz’s talk on the invasive insects  and pathogens that have killed, are killing, and are going to kill so many of our Ohio trees. This was his list: Dutch elm disease; the Japanese beetle (crops); the brown marmorated stink bug; the emerald ash borer; the hemlock wooly adelgid; the Asian long horned beetle (maples); the velvet long horned beetle (everything – its indiscriminate); thousand canker disease (walnut); the spotted lantern fly (pines, stone fruits); beech leaf disease; beech scale insects; laurel wilt disease ; the redbay ambrosia beetle (spicebush and sassafras – oh no). I would add oak wilt and two lined chestnut borer. There goes the mixed hardwood forests of northern Ohio. Isn’t that depressing….

What trees does Lentz recommend? — bald cypress; cucumber magnolia; Kentucky coffee tree; black gum; black maple; northern catalpa; big toothed aspen; and tulip poplar. Good luck with all that. And remember: avoid monocultures.

Lunch was followed by the afternoon keynote speaker, Chris Martine, the David Burpee Chair in plant genetics and research as well as Director of the Manning Herbarium, Bucknell University in Lewisburg, Pennsylvania, who spoke on using good communication skills to get your narrative across: #1 – own your narrative;  #2 – produce good work; #3 – choose your story; #4 – write and share; #5 –do the legwork. And then when all that has been done, your article or presentation should be multi-layered, possess some attention getting and keeping novelty, and have good visuals. Of course he provided examples, which don’t translate well to this review… but one example (of several) that he provided was his #PlantsAreCoolToo video series, also found on Uzay Sezen’s Nature Documentaries site.   

This was followed by the afternoon sessions.

The first of these was Scott Butterworth’s talk on the history and management of white-tailed deer in Ohio. I can remember, as a child growing up in a still-very-rural (at that time) east side of Twinsburg (now the location of Liberty Park), the thrill of seeing a small herd of deer running through a neighbors field and effortlessly leaping a fence row as if no serious barrier existed. So I was interested to learn that there was a time in Ohio when both the hardwood forests and the deer had both been largely extirpated by logging/habitat removal (there’s an example of adding a little novelty to your presentation), and that between 1998 and 2008 the deer herd doubled. Today, we learned, we are seeing a decline in deer pregnancy numbers, and our coyotes – whose population seems to be stabilizing – are acting as effective predators. I can actually anecdotally verify that, as several times in the past recent years hikers have reported stumbling across deer haunches, or what remained of them, in Forest Hill Park. For more information on deer, the ODNR site to visit is WildOhio.gov.

This was followed by a presentation by John Watts on efforts to restore and preserve the native tall grass prairies of the Darby Plains, Madison County, geographically just west of Columbus and Franklin County. Two areas in the preserve are the Bigelow Cemetery and the Smith Cemetery Nature Preserves. These preserves, with deep soils and 350 year old Burr Oak trees, are located within (?) (I hope I have this right – my notes are not clear) the Pearl King Prairie Savanna, a 6070 acre wet prairie in the watershed of the Big Darby Creek. As part of the restoration, the drainage tile that had been installed to turn the wet prairie into well-drained tillable farmland, had to be exposed and broken. Buffalo have been re-introduced to this prairie, as well as thirteen-lined ground squirrels (that is their title) and hellbenders. Plants to be found there are Stiff Gentian, Tall Larkspur, Royal Catchfly, Sullivant’s Milkweed, Queen of the Prairie; Bunch Flower, Coneflower, Black-eyed Susan, and more. This would be a fairly easy day trip for those who want to see a tall grass prairie with buffalo without traveling west of the Mississippi River. Bonus: Water quality in the Big Darby is improving due to less sedimentation.

Two additional presentations were on areas closer to home and close to our hearts — one on restoring biodiversity at Acacia Reservation, and the other on the tragic history and hopeful recovery of the Mentor Marsh. Because Gardenopolis Cleveland has published David Kriska’s story of the Mentor Marsh in the past year, we are not including it today.

Connie Hauseman, who is a plant and restoration ecologist with the Cleveland Metroparks, described the process that has turned Acacia, a 155 acre fairly sterile golf course environment into a restored biologically diverse environment (which will get better and better). Like the Prairie project described above, the drain tile underlying the golf course fairways had to be exposed and destroyed. That was merely part of an extensive planning process. In addition to tile breaking the planning and early implementation stages included soil mapping, vegetation mapping, stream surveys, water level logging, deer browse pressure studies (via Hawken students), meadow establishment, invasive plant management, tree planting (5000 trees and shrubs, all native), and most importantly, stream restoration (1,775 linear feet of stream channel) and the construction of headwater swales to slow water down. Since the restoration, 139 different bird species have been documented. This is an easy one – put on your hiking shoes. Acacia reservation is on the north side of Cedar Road opposite Beachwood Mall. Go see.

We have also omitted one of the morning sessions: Sarah Brink, of Foxfield Preserve, speaking on Completing the Cycle: Finding Comfort in Conservation Burial. This is a subject about which we would like to write in the future.

Events Not to be Missed!

The first full week of September promises to be a busy one! 

First, The Cleveland Museum of Natural History is hosting its annual Conservation Symposium. This year’s theme is Biodiversity: Life in Balance, and boasts a lineup of excellent speakers on fascinating topics. The symposium itself takes place all day on Friday, September 7, and field trips and workshops are offered on Thursday and Saturday. Gardenopolis is particularly looking forward to the American Chestnut Workshop.

Next, on Saturday, September 8. Gardenopolis will be hosting its annual Garden Party. Look for invitation details in your email if you’re a subscriber; if you don’t subscribe check out the details on Facebook, or send an email to gardenopoliscle@gmail.com to be included.

We hope to see you in September!

The peripatetic gardener visits Roan Mountain, Tennessee

by Elsa Johnson

I’ve been in the Appalachian mountains before – well, to be honest, mostly I’ve driven through. Nonetheless, It’s a place that always moves me — the way the ridges lie parallel to each other into infinity. Route 80 in Pennsylvania is one such route where you ride the old rounded mountains lengthwise the whole way, from one end of the state to the other. Those rounded mountains alternate with broad gentle valleys of farms and fields; one can imagine surviving in that pastoral land — possibly more than just surviving. Then there are the mountains one drives through in West Virginia, where, as I pass through, I always wonder – what do people DO in this land? How do they live? It’s so challenging. On route 77 you pass through a tunnel to enter into Virginia, where the land changes in subtle ways. It is a bit gentler. I expected Roan Mountain to be like that. But it’s not.

Roan Mountain is part of the Great Smoky Mountains, which are a subrange of the Blue Ridge Mountains separating North Carolina and Tennessee just north of the Blue Ridge Parkway. Although I’ve been in the Blue Ridge before, and thought I knew what to expect, view wise, Roan Mountain has taken me by surprise, the very blueness, the mists, the way the clouds hang in the mountains, pulling away and then rejoining, as though they cannot bear to be separated — the way the mountains seem to breathe the very clouds into being. And, of course, in fact, they actually do. I am enchanted. Bemused. Though I still am wondering, what do people DO here?

Our first hike on Roan Mountain was a short one. My sister-in-law lives on Roan Mountain, in a house with a wrap-around porch, like so many here, and the sound of a rushing stream in the near-by woods (it’s been a record wet summer). All we had to do was keep going up on the winding, twisty road that goes past her house — on up into the Cherokee National Forest, where we parked, and hiked a short flat distance to a knob that looked north over a valley in Tennessee.

From that perspective the land looks relatively unpopulated. I have learned it isn’t. Tucked away in all that so green vegetative excess are winding roads and along those winding roads are houses sheltering under all that greenery (What do people DO here?). If one could see the houses it would seem almost suburban other than there’s a vast forest right out the back door, and probably a fast running stream, and bears come by regularly to check and raid any hanging birdfeeder.  But up on top of the mountain (elevation 6,285 feet – we weren’t quite that high at the knob) you can’t see any of that. You just see trees … and mountains …. and more tree …. and more mountains …. and trees ….

We also visited the rhododendron ‘gardens’ on this first trip, growing thickly together, with White Snakeroot (Ageratina altissima) growing underneath. Altitude is the determinant for what one finds growing on the mountains. The rhododendrons grow at a high elevation in the company of Frasier firs and male ferns. 

Also growing at this elevation were Witch Hobble (Viburnum lantanoides) and fothergilla. I was fascinated by what I have learned is Mountain Angelica (Angelica triquinata), which is geographically limited, growing only in (I discovered) in a limited distribution from northeast Georgia through Pennsylvania. It grows voluptuously here on the highlands and balds of Tennessee. The ones we saw at the knob were covered with flies, but were also visited by ever moving butterflies.

On another day we almost hiked up to Grassy Bald, the high point, where you can look out in every direction. We made it past Jane Bald but pooped out on the lowest slopes of Grassy Bald. The distances here, as seen by the human eye, are deceptive. That slope that looks like an easy short climb? Let’s just say you were warned. Grassy Bald is the Roan Mt. highpoint – where the native flora is the most pristine. To get to Grassy Bald you first hike up through a meadow and then pass through a dense stand of firs carpeted underneath with ferns, and come out onto the first bald – where you discover it’s just the first one. No part of this hike was level – you were either going up, or going down.

Mountain angelica was plentiful on the balds, but – strangely, there were no flies on them.  We also found blueberries (tiny and tart), compact miniaturized ninebark, white achillea, goldenrod (I think) and what I am calling ‘mystery flower’ (looks a bit like a liatris – if anyone knows what it is, feel free to tell me).  And bear scat.

Another hike took us to Elk River Falls, where a congregation of a dozen or more yellow Tiger Swallowtail butterflies refused to cooperate for a group photo, although a Black Swallowtail did, barely.

A hike in Roan Mountain State Park, at much, much lower elevations, brought us to hillsides of towering tulip poplars underneath which grew carpets of native wild ginger (asarum canadense) as a groundcover. I have never seen anything like it! Also growing on these hillsdes were Christmas ferns, male ferns (a dryopteris species), Doll’s Eye’s  (actea), various carex species (appalachia, plantaginea, platyphylla), native bamboo (Arundinaria appalachiana), and partridge berry (Mitchella rpens),  Nearest the stream were the usual late summer meadow volunteers, but also what I believe to be Indian Plaintain (Cacalia atriplicifolia). Also a charming little orange salamander. Not so different from what grows at home in northeast Ohio, but more generous.

A final outing took us to the Chihuly glass exhibit in the Biltmore gardens where strange glass plants resided among the real plants, sometimes successfully, sometimes less so, sometimes spectacularly.

GardenWalk Cleveland 2018: A Recap

by Elsa Johnson

It has long been said that Cleveland is a city of neighborhoods. There is the Eastside / Westside dichotomy that splits Cleveland into slightly dysfunctional fraternal twins, each with its own perhaps not-so-accurate image, and then there are the pockets within – little villages, so to speak, that once were based on a specific ethnicity (like Little Italy) and have their own unique flavors.  Showcasing this is one of the things that Garden Walk Cleveland does so well.

Last year Gardenopolis Cleveland visited North Collinwood, and discovered that the up-close ambience of these eastside neighborhoods close to the lake is a Year-Round-Summer-Cottage flavor. The year before that we visited West Park, the neighborhoods on the eastern perimeter of the Rocky River Gorge. This year the decision to split the Walk into two days with the gardens split one-day-only among them allowed us to take in more. On the first day we visited the Detroit Shoreway / Gordon Square Neighborhood, and on the second we visited little Italy, new to this do-it-yourself-tour this year. We hoped to visit Slavic Village also, but alas, dear readers, we are not as sprightly as we used to be, and after Little Italy we went home and took a nap.

In the Detroit Shoreway neighborhood the character of the streets can change block by block. Here is a street with modest single family homes on modest lots, but two blocks away, west of 65th street, the houses are more substantial and were intended to be more impressive. All of this is clustered around the Gordon Square Arts District, which has long been anchored by Cleveland Public Theater. The highlights here included a backyard bar designed for serious partying, a miniature backyard railroad set (that did not photograph well), a picturesque garage that once housed the vehicles of the on-site mortuary, now decorated with murals, a professionally designed backyard with a little hill for grandchildren to roll down, chickens and chicken coops, the occasional charming picket fence, various yard art, arbors inviting one to sit down under dappled light and shade, and a community orchard. We like the idea of a community orchard. Despite its proximity to the Gordon Square entertainment and commercial hub, this neighborhood feels suburban (city style, not country style).

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This was in high contrast to Little Italy, which definitely possesses a more urban vibe and density – and long has, tho even more so with the University Circle development engine only a railroad track away. There is new residential and commercial construction taking place in Little Italy, too, in several locations, and property values, we were told, are skyrocketing. This provides interesting contrasts. One finds serious vegetable gardens (and fig trees) in long deep lots contrasting with lots so small and tight that anything that grows must be grown in a pot (or many, many, many pots). One can find a front yard patio graced by tables topped by bright red umbrellas, in front of a house on which the vertical pillars have daringly been painted to match: eye-catching and fun. Among all this one finds a few seriously contemporary minimalist buildings with seriously contemporary minimalist landscaping. One ingenious example of thoughtful sharing of space that stood out was a new structure side by side with an older structure, with the outdoor space designed with a shared garden and the sitting area for the older structure incorporated into the new architecture at the ground level, with a porch for the  contemporary structure above. Sounds confusing but it was brilliant (as long as everyone gets along).

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Most gardens on Garden Walk are not professionally designed — and that is one of the pleasures; to see at an intimate scale the quirky personality and flavor of individual gardeners. As always, we enjoyed the opportunity to see the life of these communities at a personal, individual scale.

More pictures! From Lois Rose

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